Re-Positioning Ireland's Public Transport Brand

CIE Group, Ireland's public transport authority, made the repositioning of public transport a key issue in the strategic plan to create a more integrated system and better experience for the customer. Identifying brand communications as the single most powerful tool in achieving their goal, Pat McDonagh, the Head of Corporate Communications at CIE commissioned me to create a consolidated, customer-friendly public transit image. I had worked previously with Pat when he was the Kerrygold brand manager at the Irish Dairy board cleaning up and modernizing the Kerrygold butter brand.
My challenge was to undo the previous ten years of brand fragmentation where the operating companies that make up the CIE Group had moved away from the holding company brand and developed unique identities of their own. The first step was to modernize the CIE symbol (right). Public opinion about public transport had grown increasingly negative over the decades and in particular in the 1980's and early 1990's when the Irish government just had no money to invest in improving the public's experience of transit. So the newly won European funding provided a unique opportunity to create greater integration between the bus, rail and light rail systems operating around the country, with the goal of creating a truly seamless journey and a lasting legacy of design thinking for the future.
In the new identity, uniform elements of color, type and symbol join all the public transport services within the national system. The city bus systems, light rail, national bus and heavy rail services all communicate to the customer in a single tone of voice, making it a simple and inviting system for the passenger to use. All CIE communication vehicles were re-designed including passenger information, vehicle livery, Website, financial communications such as the annual reports (left), and in particular the station signage for over 100 train and light rail stations around the country.

I provided detailed specifications to the group architects to implement the new signage (right). Because the Irish government actively preserve the Irish language, all station signs appear in both Irish and English.
This is one of the most unique aspects to the CIE Group Identity. I realized early on in the project that the best way to solve the problem of the two languages and a great way to unify all the operating companies in a subtle way was to design a custom typeface. The result was Ireland's first custom corporate typeface, CIE 2000. My old friend and long-time creative partner Tony Fahy provided the guiding hand for this important aspect of the project.
The new typeface brings in a common tone of voice across the group, so that when passengers were making the change from one transport system to another, the thread of communication remains unbroken. Take a look at the range of signs shown here all using the CIE 2000 typeface.Finally, I designed and wrote and extensive series of brand guides, eight booklets in all. The guidelines cover applications of every element within the brand identity and in particular, the use of the global symbol for interchange: the CIE Group Sunwheel.
Read my post on public transport and information design.
Joffrey's Coffee
Problem
Joffrey's Coffee & Tea company is a small Tampa based coffee roaster that creates the most wonderful coffees. We had tried Joffrey's coffee many times and enjoyed the European Espresso Blend and some of the special flavored coffees, but always thought the packaging and image could do with an update. When José Ward, became head of marketing, one of his missions was to create better branding and gain higher visibility on supermarket shelves where the old image was just too dark and unappealing.
Solution
When we talked the project over, the problem that emerged was that the brand positioning - one of a fun, counter-culture, international and somewhat funky company was not properly reflected. We agreed to move away from the tourist-brochure style Web site and strange black and purple pinstripe packaging towards a more hip, funky and slightly humorous approach.
We wanted the buyer to be able to imagine the taste of the flavored coffees by seeing great images of the ingredients and flavorful foods. But there was no budget for custom illustration, so using stock images and a lot of Photoshop we were able to create interesting compositions showcasing the flavors and tastes in fun way.
The typography for the logo and packaging headlines and well as the Web site is a font called Litterbox which is quite rebellious and fun with a touch of humor. We used Neutra for all the informational text. On the Web site, the really important thing was to make it easy to order and to see the flavor and blends. So we used the labels themselves as identifiers that can be clicked to enlarge them so you can read the flavor meter which tells you the strength of the coffee and also the product description.
The Web site functions not only as a retail site to buy coffee from but also as a portal for business customers to find out more information about selling Joffrey's products and franchise opportunities. We kept the pallet of colors and other graphic elements consistent with the packaging to reinforce the brand image. The navigation is simple, straight across the top, with drops downs to access specific needs.

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